造就設(shè)計(jì)彭熙新作 | 探索住宅空間場(chǎng)所的內(nèi)在精神

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  ?   住宅空間場(chǎng)所與人一樣,有形的軀體中,蘊(yùn)含著無(wú)形的精神,內(nèi)在的精神決定了空間的性格與氣質(zhì),它的存在類似一個(gè)精神場(chǎng)域?! esidential?茶館ces?are?like?people.The?tangible?body?contains?intangible?spirit.?The?inner?spirit?determines?the?character?and?temperament?of?the?茶館ce.?Its?existence?is?similar?to?a?spiritual?field.  ?   豪宅之所以稱為豪宅,自然不單單因其面積的闊綽,更大程度是源自其精妙雅致的空間裝點(diǎn),和契合主人興趣品位的生活感營(yíng)造。本案整體以高級(jí)灰為主基調(diào)來(lái)打底,銅制不銹鋼貫穿空間各角落,低調(diào)素雅的整體視覺(jué)是極簡(jiǎn)意式美學(xué)的充分詮釋。尤其銅質(zhì)元素更顯考究,品味藏于細(xì)節(jié),豪宅的韻味盡在這種低調(diào)的奢華中彌散開(kāi)。  The?reason?why?a?mansion?is?called?a?mansion?is?naturally?not?only?because?of?its?large?area,?but?also?because?of?its?exquisite?and?elegant?茶館ce?decoration?and?the?creation?of?a?sense?of?life?that?fits?the?owner's?taste?and?taste.The?overall?base?of?this?case?is?high-grade?gray,?copper?stainless?steel?runs?through?all?corners?of?the?茶館ce,?and?the?low-key?and?elegant?overal可可托海三號(hào)礦坑l?vision 在人與家具的關(guān)系上,“以人為中心”是設(shè)計(jì)的基本理念,而家具形式則是實(shí)現(xiàn)功能需求的目標(biāo)形態(tài),二者是主體與對(duì)象的關(guān)系。本書(shū)通過(guò)將“以人為中心”的設(shè)計(jì)理念具體為“人”因分析,以明確在現(xiàn)代中式家具設(shè)計(jì)過(guò)程中需要考慮的人的因素,進(jìn)而從微觀層面對(duì)各種要素加以分析,這主要包括針對(duì)自然人的行為分析,如人體尺度、能力范圍和知覺(jué)感受等,還包括面向不同人群的需求分析,主要應(yīng)用了馬斯洛的需求層次理論來(lái)區(qū)分不同的需求內(nèi)容,進(jìn)而提出相對(duì)明確的設(shè)計(jì)內(nèi)容和執(zhí)行模型。而對(duì)于家具形式的設(shè)計(jì)則采用形態(tài)學(xué)的分析方法探討現(xiàn)代中式家具的形式構(gòu)成要素和關(guān)系要素,通過(guò)對(duì)型、色、質(zhì)要素的形態(tài)語(yǔ)義與象征性的分析來(lái)選擇適用的形態(tài),并結(jié)合多樣性統(tǒng)一、比例與尺度、對(duì)稱與均衡、節(jié)奏和韻律等形式美法則的分析來(lái)確定具體的表現(xiàn)手法和方式,進(jìn)而使現(xiàn)代中式家具在形式上符合現(xiàn)代生活方式需求與現(xiàn)代審美標(biāo)準(zhǔn)。?is?a?full?interpretation?of?minimalist?Italian?aesthetics.?Especially?the?copper?elements?are?more?sophisticated,?taste?is?hidden?in?the?details,?and?the?charm?of?the?mansion?is?diffused?in?this?low-key?luxury.  ?   全屋秉承“l(fā)ess?is?more”的現(xiàn)代極簡(jiǎn)與功能主義的理念,未有多余的繁文縟節(jié)和華麗裝飾。在此基底之上,為了讓空間更有吸睛的亮點(diǎn),項(xiàng)目團(tuán)隊(duì)巧妙地做了色彩、結(jié)構(gòu)等的多維演繹。  The?whole?house?adheres?to?the?modern?minimalism?and?functionalism?concept?of?"less?is?more",?without?redundant?red& 本書(shū)按照理論與實(shí)踐緊密結(jié)合的研究方式,結(jié)合對(duì)現(xiàn)代中式家具設(shè)計(jì)中亟待解決問(wèn)題的分析,嘗試探討和諧思想指導(dǎo)下的現(xiàn)代中式家具設(shè)計(jì)的系統(tǒng)分析方式,主要包括以下幾點(diǎn):nbsp;tape?and?ornate?decoration.?On?this?basis,?in?order?to?make?the?茶館ce?more?eye-catching,?the?project?team?cleverly?made?a?multi-dimensional?interpretation?of?color?and?structure.  客廳茶幾與單椅創(chuàng)新地運(yùn)用了帶有底紋的墨綠色,沉靜內(nèi)斂又不失新意。同時(shí),沙發(fā)與茶幾均保持了較低的水平面,不僅令空間顯得大氣,也讓主人的生活狀態(tài)更趨舒適和休閑,或坐或臥或躺,都散發(fā)著寧?kù)o的自由感。  The?coffee?table?and?single?chair?in?the?living?room?creatively?use?dark?green?with?shading,?which?is?calm?and?restrained?without?losing?th 受傳統(tǒng)家具形式的影響,在家具造型中人們多采用對(duì)稱中求平衡的均衡形式,即在視覺(jué)效果上圍繞縱向的軸線求得左右兩側(cè)的型、色和質(zhì)的視覺(jué)平衡,往往通過(guò)各組成單體家具或獨(dú)立部件之間的疏密、大小、明暗以及材質(zhì)紋理、色彩、光澤感來(lái)實(shí)現(xiàn),而并不限于中線兩側(cè)形的完全對(duì)等,相反,局部的型、色和質(zhì)通常需要進(jìn)行適當(dāng)變化,或是上下位置調(diào)整、大小比例、材質(zhì)屬性、色彩明暗等或是數(shù)量上的增減、體量上的調(diào)整等,但整體上應(yīng)保證相對(duì)中線的均勢(shì)狀態(tài)。就其形式來(lái)看,是基于對(duì)稱的形式延伸,將對(duì)稱中的“全等”演化為體量上、視覺(jué)上的均等,在大小、數(shù)量、遠(yuǎn)近、輕重、高低的形象之間,以重力的概念予以穩(wěn)定平衡的處理,具有變化、活潑、優(yōu)美的特征(如圖5-55)。e?novelty.?At?the?same?time,?both?the?sofa?and?the?coffee?table?maintain?a?low?level,?which?not?only?makes?the?茶館ce?look?magnificent,?but?also?makes?the?owner's?living?conditions?more?comfortable?and?leisure,?whether?sitting?or&nbs96sp;lying?or?lying?down,?exuding?a?sense?of?tranquility?and?freedom.  ?   堅(jiān)持以思想融入設(shè)計(jì),希望通過(guò)感知和闡述空間訴求,探索并呈現(xiàn)其內(nèi)在精神,使之與置身其中的人相互啟發(fā)且共融。項(xiàng)目團(tuán)隊(duì)不斷地探索與思考現(xiàn)代住宅的本質(zhì),住宅不僅是棲身之所,它還是人類自我護(hù)持的場(chǎng)所,也是促成精神產(chǎn)物的容器?! nsist?on?integrating?ideas?into?design,?hoping?to?explore?and?present?its?inner?spirit?through?perceiving?and?expounding?the?demands?of?茶館ce,?so?that?it?can?inspire?and?integrate?with?the?people?in?it.?The?project?team?is?constantly?exploring?and?thinking?about?the?essence?of?modern?housing.?Housing?is?not?only?a?shelter,?it?is?also?a?place?for?human?self-protection?and?a?container?for?spiritual?products.  ?   希望在繁華的深圳都市當(dāng)中,能為空間主人打造屬于他內(nèi)在精神歸屬地的住宅空間,并在年復(fù)一年的的四季流轉(zhuǎn)中留下不動(dòng)聲色的時(shí)間痕跡與生動(dòng)回憶?! ?hope?that?in?the?prosperous?Shenzhen?city,?I?can?create?a?residential?茶館ce?that?belongs?to?his?inner?spiritual?place?for?the?owner?of?the?茶館ce,?and?leave?a?quiet?trace?of?time?and?vivid?memories?in?the?circulation?of?the?four?seasons?year?after?year.  ?   ?   居于豪宅的精英人群自然是對(duì)藝術(shù)審美、精神修養(yǎng)都有著嚴(yán)苛的要求,然而,真正的讓藝術(shù)走入生活的做法絕不是掛幾幅名畫(huà)、擺幾件精雅雕塑那么簡(jiǎn)單??臻g是具有自身秉性的,藝術(shù)氛圍的營(yíng)造也是通過(guò)點(diǎn)滴細(xì)節(jié)潤(rùn)物無(wú)聲地沁入居者生活日常中?! he?elites?living?in?luxury?houses?naturally?have?strict?requirements?on?artistic?aesthetics?and?spiritual?cultivation.?However,?the?real?way?to?bring?art?into?life?is?by?no?means?as?simple?as?hanging?a?few?famous?paintings?and?placing?a?few?elegant?sculptures.?Space?is?of?its?own?nature,?and?the?creation?of?an?artistic?atmosphere?is?also?silently?immersed?in?the?daily?life?of?the?residents?by?moistening?things?with?little?details.  ?   桌上的花瓶,瓶中的插花,吊頂?shù)臒?,走廊盡頭的幾何畫(huà),一切看似不起眼似乎可有可無(wú)可替換的軟配物什都是經(jīng)過(guò)嚴(yán)格的甄選而進(jìn)入空間的。項(xiàng)目團(tuán)隊(duì)希望為空間主人打造出舒適時(shí)尚與靜謐的空間,既帶有年輕都市的靈感,又融入精英群體對(duì)品質(zhì)的追求?! he?vases?on?th大紅酸枝家具e?table,?the?flower?arrangements?in?the?bottles,?the?ceiling?lamps,?the?geometric?paintings?at?the?end?of?the?corridor,?all?seemingly?inconspicuous?and?irreplaceable?soft?accessories?are?even?rigorously?selected?into?the?茶館ce.?The?project?team?hopes?to?create?a?comfortable,?fashionable?and?quiet?茶館ce?for?the?owner?of?the?茶館ce,?with?the?inspiration?of?a?young?city?and?the?pursuit?of?quality?by?the?elite?group.  ?   動(dòng)靜分隔,動(dòng)線明晰,布局嚴(yán)謹(jǐn),空間高效利用,一切以主人的居住習(xí)慣和愛(ài)好精心排布。同時(shí)保持著全屋調(diào)性的天然融合統(tǒng)一,令這種意式輕奢的生活味道在各個(gè)功能空間恣意流淌。空間里的自然圍合與場(chǎng)所銜接,承載了空間尺度上的通透,使空間內(nèi)在精神呈現(xiàn)出時(shí)間的循環(huán)狀態(tài)?! he?movement?is?separated,?the?movement?line?is?clear,?the?layout?is?rigorous,?and?the?茶館ce?is?efficiently?used.?Everything?is?carefully?arranged?according?to?the?owner's?living?habits?and?hobbies.?At?the?same?time,?it?maintains?the?natural?integration?and?unity?of?the?whole?house,?making?this?Italian?light?and?luxurious?life?taste?flowing?freely?in?each?functional?茶館ce.?The?natural?enclosure?in?the?茶館ce?is?connected?with?the?place,?carrying?the?tran茶館rency?on?the?茶館tial?scale,?and?making?the?inner?spirit?of?the?茶館ce?present?a?state?of?circulation?of?time.  ?   這種看似閉合的空間感,卻從中多了些流動(dòng)的生機(jī)與精神。我們?cè)谧≌臻g場(chǎng)所里創(chuàng)造和諧且動(dòng)態(tài)的空間與人的關(guān)系,這是屬于空間主人的時(shí)間沉淀與精神載體,還是生活的內(nèi)在精神,人在這個(gè)精神的容器里,內(nèi)視自我,思想生發(fā)?! his?seemingly?closed?sense?of?茶館ce?has?more?flowing?vitality?and?spirit?from?it.?We?create?a?harmonious?and?dynamic?relationship?between?茶館ce?and?people?in?residential?茶館ces.?This?is?the?time?precipitation?and?spiritual?carrier?of?the?茶館ce?owner,?or?the?inner?spirit?of?life.?In?this?spiritual?container,?people?see?themselves?inwardly,?and?their?thoughts?arise.  ?   餐客廳的大理石紋路簡(jiǎn)約大方,自成一體,而書(shū)房與臥房則運(yùn)用更多木色、溫馨柔軟的材料,圓形曲面燈具、落地窗、絲綢與針織物會(huì)賦予居者更有安全感、更溫暖的感受??蛷d、餐廳、臥房、書(shū)房、盥洗室,空間的功能一面昭示著人的基本生活需求,另一面也考驗(yàn)著項(xiàng)目團(tuán)隊(duì)對(duì)生活的洞察與理解,以致需運(yùn)用不同的色澤、材料、家居單品來(lái)營(yíng)造各異的感官體驗(yàn)?! he?marble?pattern?of?the?dining?and?living?room?is?simple?and?elegant,?and?it?is?self-contained,?while?the?study?and?bedroom?use?more?wood?color,?warm?and?soft?materials.?Round?curved?lamps,?floor-to-ceiling?windows,?silk?and?knitted?fabrics?will?give?residents?a?sense?of?security?and?warmth.?Feelings.?Living?room,?dining?room,?bedroom,?study?room,?bathroom,?the?function?of?the?茶館ce?shows?people’s?basic?life?needs?on?the?one?hand,?and?on?the?other?hand?it?tests?the?project?team’s?insight?and?understanding?of?life,?so?that?different?colors,?materials,?and?home?furnishing?items?are?needed?to?be?used.?Create?different?sensory?experiences.  ?   心理狀態(tài)的把握,五感體驗(yàn)的效果,皆是空間設(shè)計(jì)里最為基礎(chǔ)、最為重要、也最不易精準(zhǔn)呈現(xiàn)的秘訣。好的空間有時(shí)說(shuō)不出哪里好,置身其中只覺(jué)渾身放松,仿佛一閉眼自己就已融在理想的自在生活中?! he?grasp?of?the?psychological?state?and?the?effects?of?the?five?sense?experience?are?the?most?basic,?most?important,?and?most?difficult?secrets?in?茶館ce?design.?Sometimes?I?can’t?tell?what’s?good?in?a?good?茶館ce.?I?feel?relaxed?when?I’m?in?it,?as?if?I’m?in?an?ideal?free?life?when?I?close?my?eyes.  ?   在快節(jié)奏的都市中央進(jìn)行空間精神性的探索,是因?yàn)檫^(guò)渡強(qiáng)調(diào)快消的生活讓我們漸漸疏離了回歸自我的精神世界,而精神,才是恒遠(yuǎn)和生活意義依托的存在。吃一頓西餐,品一杯咖啡,讀一本書(shū),睡一夜好眠,每一種日常生活行為都通過(guò)家居空間氛圍體現(xiàn)著品質(zhì)感。對(duì)時(shí)常身處繁忙工作中的都市精英來(lái)說(shuō),一個(gè)居所不僅是下班回歸之處,更是親密又體貼的生活烏托邦,是我們?cè)趬?mèng)里追尋的精神原鄉(xiāng)?! he?spiritual?exploration?of?茶館ce?in?the?center?of?the?fast-paced?city?is?because?the?overemphasis?on?the?life?of?fast?consumer?has?gradually?alienated?us?from?the?spiritual?world?of?returning?to?ourselves,?and?the?spirit?is?the?existence?of?Hengyuan?and?the?meaning?of?life.The?spiritual?exploration?of?茶館ce?in?the?center?of?the?fast-paced?city?is?because?the?overemphasis?on?the?life?of?fast?consumer?has?gradually?alienated?us?from?the?spiritual?world?of?returning?to&n愛(ài)的迫降 電視劇bsp;ourselves,?and?the?spirit?is?the?existence?of?Hengyuan?and?the?meaning?of?life.  ?   設(shè)計(jì)出品:造就設(shè)計(jì)服務(wù)(深圳)有限公司  完成年份:2021年3月  主創(chuàng)設(shè)計(jì):彭熙  設(shè)計(jì)團(tuán)隊(duì):植忠添、湯榮娟、謝昭渙  技術(shù)總監(jiān):賴文暢  施工執(zhí)行:丁合強(qiáng)  項(xiàng)目地址:深圳市  建筑面積:165㎡  攝影版權(quán):江河攝影  客戶名稱:陳總  聯(lián)系郵箱:pengxi327@qq.com  ?   彭?熙?Sissi造就設(shè)計(jì)服務(wù)(深圳)有限公司創(chuàng)始人兼總設(shè)計(jì)師  彭熙創(chuàng)建造就設(shè)計(jì)服務(wù)(深圳)有限公司,擔(dān)任設(shè)計(jì)總監(jiān)一職,專責(zé)負(fù)責(zé)商業(yè)地產(chǎn)項(xiàng)目、商業(yè)空間、茶館設(shè)計(jì)元素及管理工作,并曾領(lǐng)導(dǎo)多個(gè)房地產(chǎn)及茶館設(shè)計(jì)元素,如中晟地產(chǎn)、益華地產(chǎn)、威尼斯茶館、萬(wàn)豪茶館、佳兆業(yè)茶館等公司有合作經(jīng)驗(yàn)?! 〔糠猪?xiàng)目經(jīng)歷:威尼斯茶館大堂、深圳JW萬(wàn)豪茶館軟裝改造、山??影宸?、中晟地產(chǎn)售樓中心、佳兆業(yè)可域茶館、益華大廈、深圳速8公寓、觀瀾高爾夫別墅、深圳天鵝堡豪宅項(xiàng)目、深圳煙草局商業(yè)空間等室內(nèi)設(shè)計(jì)以及軟裝服務(wù)。?
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