? 　　位于北京國(guó)貿(mào)CBD的高層寫字樓中，AYZ?STUDI?O為一家年輕的咨詢公司完成了新辦公室的建造。與傳統(tǒng)辦公項(xiàng)目不同，材料的創(chuàng)造力與愉悅睿智的當(dāng)代文人生活被整合進(jìn)空間，使其擁有了強(qiáng)烈的表達(dá)力與感染力。在視野絕佳的落地窗前，CBD棱角分明的城市輪廓線與辦公空間形成了張弛有度的拼貼連接?！　n?the?China?World?Trade?Center?Tower?III,?a?74-story?skyscraper?in?Beijing,?AYZ?STUDI?O?architectural?design?team?completed?a?new?office?for?a?young?consulting?company.?Unlike?traditional?office,the?creative?materials?and?the?pleasant?and?wise?contemporary?literati?lifestyle?were?integrated?into?the?茶館ce,?giving?it?a?strong?expressive?and?appealing?sense.Viewed?through?the?floor-to-ceiling?windows,?the?angular?urban?outline?of?CBD?was?connected?with?the?office?茶館ce?in?a?relaxing?collage?way.　　智?/?Wisdom　　-柔軟的空間動(dòng)線　　Soft?Space?Walking?Paths　　子曰：“飯疏食，飲水，曲肱而枕之，樂亦在其中矣。不義而富且貴，于我如浮云?！薄　onfucius?said:?"It?is?happiness?to?eat?simple?food,?drink?water?and?sleep?with?head?on?the?arms?as?pillow.?The?unjust?wealth?and?fame?are?meaningless?like?clouds?to?me."　　? 　　在全新的辦公場(chǎng)所中，密集排布的傳統(tǒng)辦公區(qū)消失殆盡，以入口茶水區(qū)為中心的多條動(dòng)線實(shí)現(xiàn)了跨功能區(qū)協(xié)調(diào)性?！　n?the?brand-new?office?茶館ce,?the?traditional?densely?arranged?working?areas?disappeared.?Instead,?multiple?walking?paths?centered?on?the?tea?area?at?entrance?achieved?cross-functional?coordination.　　? 　　? 　　? 　　? 　　跟隨山石紋理的曲面墻可以單獨(dú)直達(dá)會(huì)客區(qū)和董事長(zhǎng)辦公室，兩個(gè)區(qū)域共同占據(jù)北側(cè)視野最開闊的120㎡。會(huì)議室與董事長(zhǎng)辦公室連通，而茶室與會(huì)議室作為公共活動(dòng)區(qū)與茶水區(qū)相對(duì)而設(shè)，玻璃幕墻將其景觀納入到同一個(gè)更大的視野當(dāng)中?！　ollowing&n藍(lán)鳥家具bsp;the?rock-textured?curved?wall,?there?were?the?meeting?area?and?the?chairman's?office,?both?of?which?occupied?120?square?meters?with?the?widest?view?on?the?north?side.?The?meeting?room?was?connected?to?the?chairman's?office,?and?the?tea?room?and?meeting?room?as?a?public?activity?area?were?set?opposite?to?the?tea?area.?The?glass?curtain?wall?brought?the?landscape?into?a?larger?view.　　? 　　? 　　位于南側(cè)的公共辦公區(qū)與兩個(gè)獨(dú)立辦公區(qū)既可以通過進(jìn)入后的常規(guī)動(dòng)線沿曲面墻抵達(dá)，同時(shí)在走廊上向外打開的門扇提供了另一條快速進(jìn)入的捷徑。　　Except?for?the?regular?traffic?line?along?the?curved?wall,?the?public?working?area?and?the?two?independent?offices?on?the?south?could?be?reached?by?the?door?opened?outward?in?the?corridor?as?a?shortcut.　　中心茶水區(qū)作為交通樞紐將空間編織貫通起來，幾乎全開放的功能區(qū)在關(guān)聯(lián)中醞釀出恰好的凝聚力，松弛的睿智氛圍使整個(gè)空間呈現(xiàn)出柔軟的理性?！　he?central?tea?area,?as?a?transportation?hub,?connected?the?entire?茶館ce.?The?almost?fully?open?functional?茶館ce?enhanced?the?cohesiveness?of?staff,?and?the?relaxed?and?wise?atmosphere?made?the?whole?茶館ce?appear?soft?and?rational.　　楽?/?Delight　　-消弭公私社交邊界　　Eliminate?Public-Private?Boundaries　　子曰：“知之者不如好之者，好之者不如樂之者。”　　Confucius?said:?"Knowing?it?is?not?as?good?as?loving?it;?loving?it?is?not?as?good?as?delighting?in?it."　　? 　　雖然業(yè)主面向的客戶多來自傳統(tǒng)行業(yè)精英群體，但辦公空間仍決定以更年輕的姿態(tài)向外輸出其理念和經(jīng)營(yíng)策略，走出刻板的安全地帶之后，迎來愉悅。無論從室內(nèi)主色調(diào)、空間總體氛圍亦或是AYZ?STUDI?O想表達(dá)的態(tài)度，靈感均注入自 現(xiàn)代中式家具要實(shí)現(xiàn)與人的和諧，使其成為能夠被人使用、方便使用并且舒適地使用的家具，這就需要在基本尺度和功能設(shè)置上符合人的生理尺度和需求，這也是家具設(shè)計(jì)展開前需要明確的內(nèi)容。但是，當(dāng)前市場(chǎng)上的現(xiàn)代中式家具之所以未能得到消費(fèi)者的普遍認(rèn)同和廣泛接受，其中主要原因在于這些家具基本上延續(xù)了傳統(tǒng)中式家具的樣式、功能，甚至是尺度和比例關(guān)系，而未能站在現(xiàn)代人的生活方式上去考慮變化的要素，因而一味地沿用舊制、“以古為師”，導(dǎo)致了家具形式過于因循守舊、泥古不化，使得家具的尺度和功能設(shè)置與現(xiàn)代生活相脫節(jié)?？傮w來看，現(xiàn)代中式家具設(shè)計(jì)中對(duì)人的靜態(tài)行為分析主要包括以下幾點(diǎn)：然樂趣。　　Although?most?of?the?clients?targeted?by 金融消費(fèi)者權(quán)益保護(hù)實(shí)施辦法;the?owners?came?from?the?elite?of?traditional?industries,?the?office?design?insisted?to?showcase?its?ideas?and?business?strategies?in?a?younger?manner.?After?getting?out?of?the?rigid?safety?zone,?it?would?usher?in?joy.?Whether?from?the?茶館ce?palette,?the?overall?atmosphere,?or?the?attitude?that?AYZ?STUDI?O?wanted?to?express,?the?inspiration?was?infused?with?nature?and?delight.　　? 　　? 　　? 　　? 　　更為簡(jiǎn)潔的會(huì)議室、圍合的圓形討論區(qū)以及當(dāng)代化的東方茶室提供了空間中三個(gè)層次的社交場(chǎng)所，公私間的明確壁壘消弭，旨在更自在的社交方式可以隨時(shí)發(fā)生?！　he?more?concise?meeting?room,?enclosed?circular?discussion?area,?and?contemporary?oriental?tea?room?provided?three?levels?of?social?茶館ces.?The?boundary?between?public?and?private?areas?was?eliminated,?and?a?more?comfortable?way?of?socializing?could?happen?there?at?any?time.　　? 　　? 　　? 　　自然肌理轉(zhuǎn)化成材質(zhì)紋理與印花，通過石材、肌理布以及小型景觀呈現(xiàn)。這些趨向自然野生的設(shè)計(jì)插入空間，亦不去做東西方的明確指向，既有的節(jié)律兩類。曲面和平面鋪陳的大寫意趣，也有見微知著的草木山石，在同一空間里形成疏闊愉悅的辦公生態(tài)，提供一個(gè)更有益于創(chuàng)意發(fā)生的高效工作場(chǎng)所?！　ransformed?from?natural?textures,?the?material?veins?and?patterns?were?presented?through?stone,?textured?cloth?and?micro?landscape.?These?designs?that?tended?to?be?natural?and?wild?were?inserted?into?the?茶館ce,?creating?an?interesting?freehand?style?of?curved?and?plane?surfaces.?Together?with?the?insightful?vegetation?and?rocks,?the?design?formed?a?balanced?office?ecology?and?provided?an?efficient?workplace?that?was?conducive?to?creativity.　　和?/?Harmony　　-亞克力與東方水墨　　Acrylic?and?Oriental?Ink?Painting　　子曰：“禮之用，和為貴。先王之道，斯為美。小大由之，有所不行。知和而和，不以禮節(jié)之，亦不可行也。”　　Confucius?said:?“In?using?ritual,harmony?should?be?valued.The?Way?of?the?former?kings?from?this?got?its?beauty.?Both?small?matters?and?great?depend?upon?it.?If?things?go?amiss,?he?who?knows?the?harmony?will?be?able?to?attune?them.?But?if?harmony?itself?is?not?modulated?by?ritual,?things?will?still?go?amiss.”　　? 　　東方水墨疊加亞克力漸變板的藝術(shù)裝置在空間多處出現(xiàn)，經(jīng)過疊加的藝術(shù)品被部分“上色”，海天沙石呼之欲出，想象力似乎突然被撕扯開，綿延至無限?！　he?art?installations?of?oriental?ink?painting?superimposed?by?acrylic?gradient?board?decorated?the?茶館ce.?The?superimposed?artwork?was?partially?"colored"?by?the?acrylic,?creating?a?vivid?scene?of?the?sea,?sky,?sand?and?rocks?ready?to?come?out.?Thus,?the?infinite?imagination?came?into?being.　　在格式塔心理學(xué)邏輯中有這樣的解析——當(dāng)我們看到事物的多組信息時(shí)，會(huì)自動(dòng)識(shí)別并分別設(shè)想每組信息的完整形象，使具有深度的物件的各個(gè)方向被壓縮，形成淺空間，比如立體主義繪畫的誕生。這種疊加則像是淺空間的反向延展，在時(shí)間和空間的維度上打開了三維想象。在辦公空間中，它以這種張力傳達(dá)出突破邊界卻又合而為一的理念?！　hrough?Gestalt?psychology,?when?people?see?multiple?sets?of?information,?they?will?automatically?recognize?and?respectively?imagine?the?complete?image?of?each?set?of?information,?so?that?the?various?directions?of?the?objects?with?depth?are?compressed?to?form?a?shallow?茶館ce;?for?example,?the?birth?of?cubist?painting.?This?kind?of?superposition?was?just?like?the?reverse?extension?of?shallow?茶館ce,?opening?up?three-dimensional?imagination?in?terms?of?time?and?茶館ce.?In?the?office?茶館ce,?it?conveyed?the?concept?of?breaking?through?boundaries?and?becoming?one?with?this?tension.　　? 　　? 　　? 　　暮色降臨，城市與空間對(duì)望，玻璃幕墻恰好成為一塊巨型亞克力板，為彼此罩上一層色彩，可能性開始向無限處延展?！　hen?the?night?falls,?the?glass?curtain?wall?happens?to?become?a?giant?acrylic?panel?to?connect?the?city?and?interior?茶館ce,?as?if?enveloped?with?a?layer?of&n如圖5-27所示：①、②為聯(lián)邦家私的座椅設(shè)計(jì)，采用松木材料，以使用功能為主，無裝飾內(nèi)容；③為潘志剛、陳堅(jiān)佐設(shè)計(jì)的單人沙發(fā)，靠背板曲線和軟體座面增強(qiáng)了座椅的舒適性，偏重于家具友好性設(shè)計(jì)；④、⑤為嘉豪何室的“中國(guó)紅”系列中的圓臺(tái)和臥床，在造型上分別提取了古錢幣和馬褂的造型，賦予中國(guó)式的情趣內(nèi)涵；⑥為春在中國(guó)的長(zhǎng)椅設(shè)計(jì)，將馬扎的形式轉(zhuǎn)化為托幾與長(zhǎng)凳組合，顯出別出心裁的個(gè)性化與新奇感；⑦為春在中國(guó)“贊直”系列的紅堆紅直腿高柜，極簡(jiǎn)的造型配以精美的工藝和傳統(tǒng)特色的裝飾紋樣，突出了家具藝術(shù)化品質(zhì)，是設(shè)計(jì)師情感體驗(yàn)的體現(xiàn)。bsp;color,?extending?the?possibilities?to?infinity.　　項(xiàng)目信息　　項(xiàng)目名稱：國(guó)貿(mào)三期辦公　　地點(diǎn)：北京市朝陽(yáng)區(qū)建國(guó)門外大街1號(hào)國(guó)貿(mào)三期A座　　類型：辦公　　面積：670㎡　　設(shè)計(jì)機(jī)構(gòu)：AYZ?STUDI?O　　設(shè)計(jì)總監(jiān)：姜輝?WWW.ANYUEZHAI.COM　　設(shè)計(jì)主案：王婉晴　　深化設(shè)計(jì)團(tuán)隊(duì)：白金?/龍逸飛　　攝影：宋昱明　　項(xiàng)目策劃：楽品牌策略機(jī)構(gòu)　　Project?information　　Project?name:?Office?in?China?World?Trade?Center?Tower?III　　Location:Block?A,?China?World?Trade?Center?Tower?III,?No.?1?Jianguomenwai?Street,?Chaoyang?District,?Beijing　　Project?type:?Office　　Area:670㎡　　Design?agency：AYZ?STUDI?O　　Design?Director:?Jiang?Hui?WWW.ANYUEZHAI.COM　　Chief?Designer:?Wang?Wanqing　　Deepening?design?team:?Bai?Jin?/?Long?Yifei　　Photography:?Song?Yuming　　Brand?Planer:?LeLe?Branding　　? 　　姜輝　　室內(nèi)建筑設(shè)計(jì)師　　新文人主義生活美學(xué)品牌?羽ASPLUME創(chuàng)始人　　安悅宅建筑設(shè)計(jì)事務(wù)所、AYZ?STUDI?O創(chuàng)始人　　2007年由姜輝先生創(chuàng)立的生活美學(xué)品牌——羽ASPLUME，下設(shè)安悅宅建筑設(shè)計(jì)事務(wù)所和AYZ?STUDI?O?！　YZ?STUDI?O以Arc曲線、Yin-Yang陰陽(yáng)、Zen禪三維要素為商業(yè)品牌制定設(shè)計(jì)策略，重建人與空間的關(guān)系，成就趨向完整的場(chǎng)所?！　∷麖膫鹘y(tǒng)文化根基出發(fā)，用獨(dú)有的設(shè)計(jì)手法，多維度打造適合東方精英人群特質(zhì)的生活和工作環(huán)境。主持設(shè)計(jì)了包括沈陽(yáng)綠地國(guó)賓府樣板間，杭州萬融城營(yíng)銷中心，四川成都麓湖系列樣板間，南京十竹齋，綠城常州生活館，綠城法式系列樣板間，萬科北京城市中心，聯(lián)想無人店等眾多地產(chǎn)發(fā)展商和企業(yè)家的相關(guān)產(chǎn)業(yè)空間?！　n?2007,?the?literati?living?aesthetics?brand?Yu?AS?PLUME?was?established?by?Mr.?Jiang?Hui,?consisted?of?two?branches?as?AnYueZhai?Architectural?Design?Firm?and?AYZ?STUDI?O.　　Featured?the?design?strategy?of?Arc,?Yin-Yang?and?Zen?for?commercial?brands,?AYZ?STUDI?O?rebuilds?the?relationship?between?people?and?茶館ce?to?achieve?a?more?complete?place.　　Starting?from?a?traditional?cultural?foundation,?Hui?uses?unique?design?techniques?to?create?a?multi-dimensional?living?and?working?environment?suitable?for?the?eastern?elite.?He?has?designed?for?many?real?estate?developers?and?entrepreneurs?and?his?recent?works?include?the?Shenyang?Greenland?State?Guest?Mansion?model?room,?the?Hangzhou?Wanrong?City?Sales?Center,?the?Sichuan&n水泥地面怎么處理好看bsp;Chengdu?Luhu?series?model?room,?Nanjing?Shizhuzhai,?the?Green?Life?Experience?Pavilion,?the?Green?City?French?series?model?room,?the?Vanke?Beijing?City?Center,?the?Lenovo?Automated?Shop,?etc.?